CV

Born in 1970 in Ballymena, Northern Ireland

Resides and works in Ballymena, Northern Ireland

Exhibitions

2025   

Seen/Unseen (upcoming solo exhibition in April), Belfast Exposed, Belfast, Northern Ireland

2024   

Beyond the Tide (solo exhibition), Arts for All, Belfast, Northern Ireland

Change Through the Lens (group exhibition), Giant’s Causeway Visitor Centre, Northern Ireland

2023   

We the Human: A Quiet Blue Wall (collaborative group exhibition about suicide prevention - self-portrait in oils), ONCA, Brighton, England

Curation

2023   

Mosaic of the Soul by Mahmood Babalola; curation of a one-month pop-up solo art exhibition, Ballymena, Northern Ireland

Grants/Awards

2024 & 2025  

SANE Creative Award, SANE, London

2023   

Support for Individual Artists Programme (emerging artist grant), Arts Council of Northern Ireland

Other

2024

Undertaking a Master of Fine Art in Photography at University of Ulster

2023   

Associate Member of Visual Arts Ireland

Biography

Born in 1970 and based in Ballymena, David McKinney is currently pursuing a Master of Fine Art in Photography at the University of Ulster. His artistic journey started when he discovered the healing potential of photography through Belfast Exposed’s therapeutic photography programme. This newfound creative outlet became a powerful tool for self-expression and recovery, paving the way for his first solo exhibition, Beyond the Tide, in 2024. Supported by the Arts Council of Northern Ireland, this milestone marked McKinney’s emergence as an important voice in therapeutic art. He has also received continued recognition from the SANE Creative Awards Scheme, which supports artists affected by mental ill-health.

McKinney is due to participate in a panel discussion and deliver an artist talk at Belfast Exposed’s Healing Through Photography - Trauma & the Art of Recovery Conference 2025. His new solo exhibition, Seen/Unseen, will accompany the conference.

Artist Statement

My artistic style is experimental, using digital transformations and high-contrast imagery to create abstract pieces. This unconventional approach allows me to explore my emotional landscape in a therapeutic and introspective manner with the intention of sparking meaningful conversations around mental health. By manipulating my photographs digitally, I uncover images that resonate with my inner self, transforming personal experience into visual narratives that speak to universal struggles.

Reflections on the loss of three friends to suicide and my own journey of recovery after my breakdown, having been a missing person with suicidal intent, shape my photographic practice.